Feature: Homophobia In Music

As much as we’ve advanced as a human race, prejudice and discrimination are two things that continue to plague our existence. What we have learned to do however is eliminate it from our popular culture, at least at first glance. Of course the ‘nigger’ debate still rages on, but most have resided to agree that the word had been manipulated sufficiently to suit an entirely different culture. The rules of use can never be completely distinct, but in the context of hip-hop and ‘black music’ the chances of offence are minimal.

Homophobia on the other hand is a prejudice that has, almost without us realising, crawled back into popular music. The line between the acceptance of racism and homophobia is illogical but simple. With most mainstream religion’s stances on homosexuality being a distinctly negative one it gives those who hold these views a supposedly secure intellectual backdrop. Of course all forms of homophobia aren’t necessarily motivated by religion, but it’s hard to deny that they play a part its acceptability.

Acceptability is the word that strikes so much concern. Homophobia of course isn’t close to being a normal occurrence in modern music or culture, but it’s there nonetheless. Take Sizzla, a dance hall reggae singer who has repeatedly taken violent stabs at the gay community, so much so that he was denied visas to various countries when he tried to tour. In an interview by Richard Burnett for the magazine ‘Hour’ on the 19th of August 2004, Sizzla said:

“…burn sodomite, burn battyman. Burn all things that are wrong. Burn it… We must get rid of Sodom and Gomorrah right now…”

Seemingly unforgivable right? But if these hateful views never transferred to his music perhaps we could listen through gritted teeth? Sizzla’s tune ‘Get To Da Point’ makes this impossible.

“
Sodomite and batty bwai mi seh a death fi dem 
[Sodomite and queers, I say death to them]
Mi no trust babylon fi a second yah so 
[I don’t trust Babylon for a second]
Mi a go shot batty bwai dem widdi weapon ya 
[I go and shoot queers with a weapon]”

Although he renounced his views in 2007, it seems hard to believe that something so ingrained could disappear so suddenly. Despite the hateful language and futile conclusion to this story, at least Sizzla felt the full backlash of the musical community. What’s more depressing is the vast amount of cases like this that go unnoticed or forgiven.

50 Cent’s tweet last year, “If you a man and your over 25 and you don’t eat pu**y just kill your self damn it. The world will be a better place. Lol.”, was a perfect example of this. Again an apology followed, but it’s hard to believe that 50 Cent suddenly decided he wasn’t going to be an ignorant moron.

So far so disturbing, but it’s not all bad. The much loved MC Common spoke out about his own homophobia recently and the statement seemed genuinely apologetic.
“They was like, ‘Why you keep disrespecting homosexuality?’ I thought about it. I ain’t here to judge ‘em, so I just decided not to approach it like that.”

Kanye West’s statement at a 2008 concert was even more genuine, saying that it took him time to, “break out of the mental prisons [of homophobia]” and encouraged the audience to, “Open your minds. Be accepting of different people and let people be who they are.” Unfortunately for every breakthrough there will always be a Katy Perry song called ‘Ur so gay’.

The one thing that all these artists have I common is that I don’t care about them. Sure they spread hateful views, but I don’t loose sleep at night thinking about them being wrapped up in their own ignorance. What has genuinely got me thinking recently is my stance on Tyler, the creator and his OFWGKTA collective. This is the first time that an artist who I genuinely respect has expressed views that conflict with my own. His repeated use of the words ‘faggot’ and ‘homo’ could perhaps be seen as playfully ignorant or even post-modern, others however are harder to forgive “go ahead admit it faggot, this shit is tighter than butt rape”. What are more baffling are Tyler’s religious views, repeatedly expressing his atheism and even comically asking people to “play this shit in church”. For someone so apposed religion, he wears a common belief on his sleeve.

So where do I stand? To be honest I’m not completely sure. But after writing this article I went back and listened to his music and found is almost unlistenable in places. It seems that I’m not on the Tyler, The Creator hype train as much as I first thought.

Discussion

4 Responses to Feature: Homophobia In Music

  1. I think it’s obvious that Tyler’s just playing around and these are tongue-in-cheek at most, and to be honest when I first heard “go ahead admit it faggot, this shit is tighter than butt rape” I didn’t even associate “butt rape” with gay sex. I feel like Tyler does use ‘faggot’ here as an insult, but not as an insult to gay people, instead as a rather more generic gesture of unpleasantness. I think you can’t take any Odd Future lyrics without a pretty large pinch of salt.

  2. Surely Eminem would warrant a mention? Particularly around the time of the Marshalls Mather LP, there was a huge amount of controversy over how explicitly homophobic his material was.

    Of course, in his case, he was open that as a person he wasn’t homophobic, that his music was a persona, it was to fit with the accepted attitude in rap music at the time etcetc. In Tyler’s case? I honestly don’t know as I haven’t read many interviews with him thus far.

    I do know I’d rather he was allowed to say those things and the public judge whether it’s acceptable or not by buying his music/ not.

    • oh i completely agree he should be allowed to say those things. i’m merely suggesting that simply shrugging it off might not be the best idea. oh and i agree eminem was something i should have included.

  3. If a white person were to use racial slurs, not to insult other races but as a “more generic gesture of unpleasentness” would it be brushed off as tounge in cheek? Would this person be as popular as Tyler is and others have been? Chances are we’d never hear about them and aside from the neo-nazi/RAC music scene they wouldn’t have many fans.

    Eminem definitely warrants a mention. And I don’t think what he said excuses his homophobia or misogyny. If he didn’t agree with accepted attitudes then he shouldn’t have tried to be a part of it, he’s got a mind of his own he should use it. His reasons for doing it sound almost identical to those who actually are misogynists and homophobes (and racists and classists, etc…). “It was the group I hung around with” “my family was that way/I was raised that way” etc

    It’s not a matter of whether or not people should be able to say these things, it’s about whether or not they should be endorsed and be in the mainstream or if they should be pushed into some hateful underground music scene like neo-nazi bands are and of course should be.

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Joel Chima Written by
On the 10th Mar 2011 Related Posts: