We’re out of the blocks.

Having been through the first ten in our Albums of 2011 before the Christmas break, it’s my pleasure to be able to bring you the second part of the series – #40 – 31. Enjoy.

#40 Elite GymnasticsRUIN

As well as providing several of the best remixes of the year, Minneapolis duo Elite Gymnastics wowed everyone with their debut LP entitled RUIN. Combining a stellar knowledge of dance music, with lo-fi, haunting undertones, the release has quite rightly found it’s way into several end of year lists. JD.

#39 GrouperA I A

Made up of two parts; Alien Observer and Dream Loss, Liz Harris and her solo outfit Grouper stepped out from the shadows somewhat in 2011. With it’s minimal feel and ethereal atmosphere, A I A is Grouper’s most complete release to date. JD.

#38 Pure XEcstasy

Texas trio Pure X (formerly Pure Ecstasy) created quite a stir with their emotionally fraught and appealingly gritty debut LP. Another record built upon lo-fi production methods and stunning vocal sections that has made an impact in numerous end of year lists. JD.

#37 White DenimD

Originally released digitally as a collection of B-sides and unreleased tracks, White Denim gave D the full LP release that it’s quality deserves. JD.

#36  Kurt VileSmoke Ring For My Halo

A brilliant album, building on the potential of Kurt Vile’s earlier records to fund a lush, melancholic journey through underground Americana. Still sounding fresh nine months after it’s original release, the pressure is well and truly on to follow up from the critical acclaim of the record. WT

#35 Gang Gang DanceEye Contact

Three years in the making, Gang Gang Dance unveiled Eye Contact by playing several shows at Animal Collective’s ATP in May. Featuring Alexis Taylor (of Hot Chip), the record saw the group adopting a more dance orientated approach, blending it with their experimental influences.

#34 Toro y MoiUnderneath The Pine

Released all the way back in February, Underneath the Pine represented a refusal to be held by genre and comfortably leads the way in ignoring every tired term used to describe Toro Y Moi. A wonderful second record, with the legs on it to be appreciated over and over and over. WT.

#33 James BlakeJames Blake

After the phenomenal success of his initial EP’s, Blake provided an album of entirely new material, and focusing more on his songwriting ability rather than his unique production values. Released way back in January, it’s seemingly slipped down the pecking order in many end of year lists. JD.

#32 Atlas SoundParallax

With his third record under the Atlas Sound moniker, Bradford Cox cemented his position as one of the most talented, innovative songwriters of our generation. Relying upon his own self-perceived failings and personal frailties, Parallax is a more refined listen, yet falls slightly short of the phenomenal high standard set by previous efforts. JD.

#31 Bon IverBon Iver

Splitting opinion more than Lana Del Rey, Bon Iver’s follow up to 2007’s critically acclaimed For Emma, Forever Go, saw the trio adopting a more expansive sound. A collection of folk-pop tracks, culminating in the Phil Collins-esque album closer Beth / Rest, the self-titled record’s success has been recognized with a Grammy nomination. JD.